Biography

Thomas is gaining a reputation as a prolific and dynamic conductor across many genres. As a Jette Parker Young Artist at the Royal Opera House, he is on the music staff for both ballet and opera productions at Covent Garden and abroad.

This season he will make his debuts with Scottish Ballet in Swan Lake and Northern Ballet in Cinderella. Thomas will be returning to Covent Garden to cover Manon, Enigma Variations, Concerto, The Sleeping Beauty, Coppelia and Swan Lake for The Royal Ballet and will travel to Dutch National Ballet to work alongside Boriz Gruzin on Giselle. For The Royal Opera he has served as off stage conductor for Otello alongside Antonio Pappano and has conducted the overture and scenes from Le Nozze di Figaro on the main stage. Later in the season he will conduct the orchestra of the Royal Opera House in a performance of Schoenberg’s Chamber Symphony No.1 in May. He will also be conducting performances of new ballet, Snow White by Leon Haxby for Collective 31.

This Autumn he will take up the position of Musical Director for Hampstead Garden Opera’s production of Le Nozze di Figaro and previously held the position of Assistant Conductor with Grange Park Opera for their revival of Don Carlo and Chorus Master for Longborough Festival Opera for their productions of Fidelio, Tristan and Isolde and The Flying Dutchman. 

In 2016 Thomas was Assistant Conductor for British Youth Opera, conducting Southbank Sinfonia in Malcolm Williamson’s English Eccentrics and has conducted his own productions of Don Giovanni, Hänsel and Gretel, Acis and Galatea, Dido and Aeneas and Savitri and collaborated with William Griffiths for his production of Gianni Schicchi. For the Britten Centenary in 2013 he conducted staged scenes from many Britten operas at Royal Birmingham Conservatoire such as Peter Grimes, The Turn of the Screw, Albert Herring, The Rape of Lucretia, A Midsummer Night’s Dream and Owen Wingrave. In contemporary opera, he has given premieres of James Oldham’s Bastien and Bastienne and Off the Beaten Track as well as Ulf Diether Soyka’s Ninya and Edward Lambert’s The Cloak and Dagger Affair for Tête à Tête.

Previous ballet work includes positions as Assistant and Cover Conductor for Birmingham Royal Ballet in productions of Tchaikovsky’s The Nutcracker and Variations, Elgar’s Enigma and Stephen Montague’s The King Dances (recorded for BBC Four) at Birmingham Hippodrome, Theatre Royal Plymouth and the Royal Albert Hall. He has covered at The Royal Ballet for performances of MayerlingLa Bayedere, Symphony in C, The Unknown Soldier, The Nutcracker and Don Quixote.

Thomas has enjoyed relationships with many ensembles throughout the country and has served for the past five seasons as Musical Director of The Ludlow Orchestra, Leamington Sinfonia and Shrewsbury Cantata Choir and was Co-conductor of Hereford String Orchestra.